Im Mai 2023 hatte ich die Ehre von den Kuratoren des Docu Magazines ausgewählt worden zu sein, zwei Fotografien und ein Interview zum Vol 24 beizutragen.
Hier findet ihr das Interview auf Englisch.
Tell us a little about yourself. How did you become a photographer?
I started photographing my surroundings with my iPhone about 20 years ago. At the time, I didn’t even know that what I was doing was called street photography. Since then, the smartphone camera has always been by my side. When my kids were born, I got a DSLR but eventually traded it for a Fuji XE3 in 2018. Since then, I’ve been immersed in the Fuji universe. I currently shoot with an X-Pro2 and various fixed focal lengths.
I find shooting on the street really exciting. Above all, I love how dynamic it is. One moment, I might fall in love with architectural lines, and the next, I spot something left behind by a person or a group—a legacy that tells me a story. People often don’t pay much attention to their surroundings, and that’s something I try to highlight in my work. I also enjoy exploring abandoned places or photographing objects with unique textures that tell a story, like old buildings or cars.
The camera is always with me, and I find it fascinating to document my life through it.
What has been the biggest lesson you’ve learned as a photographer?
The biggest lesson I’ve learned—and am still learning—is patience. Photography isn’t about taking a quick snapshot; it’s about taking the time to fully experience a subject or situation, to see the world through different eyes, and to notice the things most people overlook in their daily lives.
I’m particularly interested in street portraits, but I haven’t yet reached the point where I feel comfortable approaching the people I find intriguing. I believe the only way to overcome fear is to face it head-on, and I’m working on that.
What advice would you give to a young amateur photographer who wants to take their photography to the next level?
Don’t rush to buy the latest gear—you don’t need it. Instead, focus on training your eye and take as many photos as you can. Consistent practice is the key to improvement.
In your opinion, what makes a good photograph?
For me, a good photograph captures life or tells a story. I also love photos with compelling compositions—ones that invite you to lose yourself in them. I’m particularly drawn to the interplay of light and shadow.
How do you feel about social media today? Is it good for photographers or bad?
Phew… tough question. I think the biggest challenge with social media is the tendency to compare yourself to others. The “competition” is intense, and while many people draw inspiration from it, it’s important not to get caught up in chasing likes. Focus on photographing for yourself, developing your own style, and not worrying too much about whether others like it or not.
